Headlines are critical and often decisive elements of any news cycle. They inhabit a specific rhetorical genre—being a kind of art, as well—one reason why most publications don’t allow contributors the honor of writing them. They can be tantalizingly vague, purposefully misleading, or notoriously sensational (looking at you, Salon). But, like any textual phenomenon, they’re never neutral. Even headlines that aim to be functional omit infinite possibilities; editors select certain words over others, limit description according to ideological need, and influence a reader’s focus. (These conventions aren’t inherently bad, but they preclude objectivity.)
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What do corporate media headlines tell us about ruling class agendas? As always, Palestine provides an answer.